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Check your knowledge of StylisticsTEST
1. Stylistics is a branch of linguistics dealing with a) vocabulary of the language; b) morphology; c) stylistic devices and expressive means of the language and functional styles. 2. Expressive means a) exist in the language and are fixed in dictionaries; b) is a conscious use of a language to achieve a stylistic effect; c) peculiar use of the language means. 3. The common literary, neutral and common colloquial words are grouped under the term a) non-standard English vocabulary; b) standard English vocabulary; c) core vocabulary. 4. The belles-lettres style has varieties: a) the language of poetry, emotive prose, the language of drama; b) the newspaper style, emotive prose, the publicistic style; c) the language used in articles, the language used in essays, the language used in oratory. 5. The newspaper style includes: a) oratory, essays, articles; b) brief news items, advertisements and announcements, headlines, the editorial; c) poetry, emotive prose, the drama. 6. Idiolect is a) the speech of an individual which is characterized by peculiarities typical of that particular individual; b) sphere of linguistic and literary science; c) expressive means of the language. 7. A functional style of the language is a) a conscious and intentional intensification of some typical structural property of a language unit; b) a system of interrelated language means which serves a definite aim in communication; c) expressive means of the language. 8. Syntactical SD are devices based on a) the binary opposition of lexical meanings regardless of the syntactical organization of the utterance; b) the binary opposition of syntactical meanings regardless of their semantics; c) the opposition of meanings of phonological elements. 9. Graphical expressive means include a) interjections; b) words belonging to special groups; c) inversion, the arrangement of the material; d) punctuation, different types of print. 10. Terms are characterized by a tendency to be a) monosemantic; b) emotional; c) neutral; d) polysemantic. 11. Stylistic devices based on the interaction between logical and emotive meanings a) epithet, oxymoron, hyperbole; b) metaphor, metonymy, epithet; c) irony, similar, hyperbole. 12. How is called the process when terms pass into the common literary or neutral vocabulary? a) de-terminization; b) coinage of new words; c) creation of a new meaning. 13. What is metaphor? a) Metaphor is a stylistic device based on the interaction between two logical meanings of the word. b) It is a clash of two opposite meanings. c) It is a device reflecting relations between a part and the whole. 14. Archaisms belong to a) colloquial style; b) literary style; c) neutral style. 15. Barbarisms are used mainly to a) supply the narrated events with the proper local colouring; b) to insult the addressee; c) to make speech more emotive; d) to cause a humorous effect. 16. Literary vocabulary includes a) archaisms, terms, foreign words, neologisms; b) slang, vulgarisms, jargonisms, dialectal words; c) neutral words. 17. Jargonisms function a) in limited spheres of society; b) in any context; c) to create a humorous effect; d) to insult the addressee. 18. Hyperbole is a) the clash of two diametrically opposite meanings; b) a deliberate exaggeration of some quantity, quality, size; c) logical association between the name itself and the quality. 19. A word or phrase used to replace an unpleasant word or expression by conventionally more acceptable is a) synonym; b) euphemism; c) homonym; d) similar. 20. When likeness is observed between inanimate objects and human qualities we speak of a) antonomasia; b) metaphor; c) personification; d) metonymy. 21. Metaphor is the expression of a) true picture of the world; b) a writer's individual vision; c) the contextual meaning. 22. Oxymoron a) joins two synonyms into one syntagm; b) joins two antonyms into one syntagm; c) joins two phraseological meanings. 23. Chiasmus belongs to the group of stylistic devices based on a) association; b) the repetition of a syntactical pattern; c) similarity. 24. He was interested in everybody. His mind was alert, and people asked him to dinner not for old times' sake but because he was worth his salt. a) metonymy; b) oxymoron; c) metaphor. 25. He made his way through the perfume and conversation. a) metonymy; b) irony; c) personification. 26. Stoney smiled the sweet smile of an alligator. a) antonomasia; b) irony; c) epithet; d) zeugma. 27. God, I cried buckets. I saw it ten times. a) hyperbole; b) oxymoron; c) zeugma. 28. "Can you tell me what time that game starts today?" The girl gave him lipsticky smile. a) metonymy; b) epithet; c) slang; d) metaphor. 29. He... caught a ride home to the crowded loneliness of the barracks. a) epithet; b) oxymoron; c) zeugma. 30. Mr. Stiggins ... took his hat and his leave. a) pun; b) zeugma; c) oxymoron; d) metonymy. 31. Up came the file and down sat the editor, Mr. Pickwick at his side a) inversion; b) parallelism; c) ellipsis. 32. It was a mistake ... a blunder ... lunacy ... a) ellipses; b) climax; c) pun. 33. Don't use big words. They mean so little. a) antithesis; b) irony; c) pun; d) similar. 34. His mind went round and round like a squirrel in a cage, going over the past. a) irony; b) metaphor; c) similar; d) metonymy. 35. Money burns a hole in my pocket. a) metaphor; b) metonymy; c) personification. 36. The laugh in her eyes died out and was replaced by something else. a) metaphor; b) metonymy; c) personification 37. The face of London was now strangely altered. a) personification; b) climax; c) metaphor; d) similar. 38. Mother nature always blushes before disrobing. a) antonomasia; b) personification; c) epithet 39 The next speaker was a tall gloomy man, Sir Something Somebody. a) antonomasia; b) metonymy; c) epithet; d) pun. 40. In marriage the upkeep of woman is often the downfall of man. a) metonymy; b) antithesis; c) pun; d) repetition. 41. Gentleness in passion! What could have been more seductive to the scared, starved heart of that girl? a) inversion; b) rhetorical questions; c) climax; d) repetition. 42. What is it? Who is it? When was it? Where was it? How was it? a) parallelism; b) inversion; c) climax; d) repetition. 43. First the front, then the back, then the sides, then the superscription, then the seal, were objects of Newman's admiration. a) polysyndeton; b) asyndeton; c) parallelism. 44. "Funny how ideas come", he said afterwards. "Like a flash of lightning". a) similar; b) inversion; c) parallelism. 45. The clock had struck, time was bleeding away. a) metaphor; b) chiasmus; c) hyperbole; d) parallelism. 46. She has always been as live as a bird. a) hyperbole; b) similar; c) epithet; d) personification. 47. The sky was dark and gloomy, the air damp and raw, the streets wet and sloppy. a) parallelism; b) chiasmus; c) polysyndeton; d) asyndeton. 48. And the coach, and the coachman, and the horses, rattled, and jangled, and whipped, and cursed, and swore till they came to Golden Square. a) polysyndeton; b) asyndeton; c) parallelism; d) inversion. 49. He stood immovable like a rock in a torrent. a) similar; b) comparison; c) irony; d) hyperbole. 50. State the type of the archaism If manners maketh man, then manner and grooming maketh poodle. a) obsolescent words; b) obsolete words; c) historical words; d) archaic proper. Переглядів: 1938 |
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