III. BENEVOLENCE, HONOUR, ORDERLINESS

We are struck, at the first glance, with the air of honour, which is observable in this face; the moth expresses, at once, kindness, politenessand experience; the chin, marks a mind firm, without obstinacy, and a benevolent heart. Although the forehead and nose give no assurance of greatness, still they denote understanding. The mouth designates a diligent, reliable and orderly man.

Mr Benevolence

IV. MODESTY, GRAVITY

Here we may observe the characteristics of love of order, and attention to method. In the mouth, closely shut are depicted diligence and accuracy. The lower part of the face is an indication of a man of discretion, modesty, gravity and reserve. He is not pleased with a book unless it is written clearly and methodically: he never rises to poetic invention, or overleaps the boundaries of scrupulous exactness.

Mr Gravity

VII. FIRMNESS, OCCASIONAL IRRITATION

Mr Firmness

The original of this portrait is one who knows how to enjoy life like a wise man. If he is not nice in his pleasures, he, at least, does not carry them to excess. The cast of his mind presupposes gentleness rather than harshness – dignity, rather than elevation – firmness of character, rather than violence of passion – passing irritation, rather than continued resentment. The whole profile will exhibit a sanguine ground, with a choleric tint.

VIII. REFLECTION, ENERGY, INSENSIBILITY

Sternness is engraved upon these features. The wrinkles in the vicinity of the eyes, and particularly those at the root of the nose – all announce harshness and insensibility; the chin designates energy, and the forehead denotes coolness and reflection, but it gives no indication of docility. Melancholy evidently predominates.

IX. LOVE, SANGUINITY

Mr Romantic

Mr Reflection

The animated eye, the voluptuous mouth, and the eyebrows gently arched, characterise a sanguine man; an expressive countenance, eyes often blue, and always quick, usually indicate this character. He is easily moved; slight circumstances agitate him, but he is soon composed. As his features always express his feelings, it is difficult for him to deceive. He is prone to the emotions of pity; and love rules him with despotic sway, though he may sometimes be accused of inconstancy.

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II. PRECISION, DILIGENCE	\|	XI. VIOLENT PASSION, HEROISM

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