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РЕЗОЛЮЦІЯ: Громадського обговорення навчальної програми статевого виховання


ЧОМУ ФОНД ОЛЕНИ ПІНЧУК І МОЗ УКРАЇНИ ПРОПАГУЮТЬ "СЕКСУАЛЬНІ УРОКИ"


ЕКЗИСТЕНЦІЙНО-ПСИХОЛОГІЧНІ ОСНОВИ ПОРУШЕННЯ СТАТЕВОЇ ІДЕНТИЧНОСТІ ПІДЛІТКІВ


Батьківський, громадянський рух в Україні закликає МОН зупинити тотальну сексуалізацію дітей і підлітків


Відкрите звернення Міністру освіти й науки України - Гриневич Лілії Михайлівні


Представництво українського жіноцтва в ООН: низький рівень культури спілкування в соціальних мережах


Гендерна антидискримінаційна експертиза може зробити нас моральними рабами


ЛІВИЙ МАРКСИЗМ У НОВИХ ПІДРУЧНИКАХ ДЛЯ ШКОЛЯРІВ


ВІДКРИТА ЗАЯВА на підтримку позиції Ганни Турчинової та права кожної людини на свободу думки, світогляду та вираження поглядів



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Co-participation and the floor

A series of problems have been encountered by researchers who tried to use the turn concept for analyses of non-dyadic interactions. Edelsky (1981) found the category of turn and its definition difficult to apply to multi-party informal talk. In her corpus, two or more participants often "either took part in an apparent free-for-all or jointly built one idea, operating on the 'same wavelength'" (1981). She therefore suggests to concentrate on the floor, "the acknowledged what's-going-on within a psychological time/space. What's going on can be the development of a topic or a function (teasing, soliciting a response, etc.) or an interaction of the two. It can be developed or controlled by one person at a time or by several simultaneously or in quick succession." (1981) In case several participants jointly hold the floor, this can be done in two different ways. In case of what Edelsky calls a 'free-for-all', there is "much simultaneity, joint building of an answer to a question, collaboration on developing ideas [...], and laughter." (1981) In less 'unorderly' stretches of talk, she found that participants, though speaking sequentially, shared "in the creation of an idea or a function (joking, suggesting, etc.)." (1981)

Though the concept of 'floor' provides important insights into what actually happens when speakers talk simultaneously and identifies overlapping speech as being a kind of speech that is in no way erroneous, the concept of the 'turn' is an unquestionably valuable one for any analysis of intercultural communication, but it still needs to be modified. Edelsky (1981) proposes what she calls a non-technical definition and defines turn as "an on-record 'speaking' (which may include nonverbal activities) behind which lies an intention to convey a message that is both referential and functional." (To be continued in Unit 2-23)

 

EXPLICATION OF KEY FACTS AND IDEAS GIVEN IN THE TEXT, PRESENTATION OF A RESEARCH PAPER

 

Instruction:Not all non-native speakers have trouble communicating in English. Many speak at a native level, but many do not. The ability to communicate with people who speak a limited amount of English is actually a skill that can be developed over time with practice. Whether you deal with non-native English speakers often or rarely, this advice will help you to communicate more effectively and smoothly. Graduate students who are non-native speakers of English should focus on developing a variety of oral presentation skills used in the non-native EL academic community, in particular, and in any other non-native EL environment, in general. You will address different aspects of spoken English, including higher level issues such as linguistics, sociolinguistics, organizational and strategic competence, as well as more detail-oriented issues, such as accuracy in pronunciation, stress patterns, intonation and rhythm. Mastering these skills will be especially useful to students who wish to prepare for teaching responsibilities, and to those graduate students who need to prepare for giving lectures, leading discussion/lab sections, interacting with non-native speakers, presenting graduation papers, reporting on current research, and engaging in job interviews. Below are some useful tips on skills for writing and presenting a graduation paper.

 


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  1. And Harry’s feet left the floor to fall, seconds later, back onto the rug in front of Dumbledore’s desk.
  2. Beyond the chair, in a pool of light cast upon the floor by the candles, knelt a man in black robes.
  3. Both Black and Lupin strode forward, seized Pettigrew’s shoulders, and threw him backward onto the floor. He sat there, twitching with terror, staring up at them.
  4. Cedric’s bag split. Parchment, quills, and books spilled out of it onto the floor. Several bottles of ink smashed.
  5. Dumbledore climbed into the trunk, lowered himself, and fell lightly onto the floor beside the sleeping Moody. He bent over him.
  6. Harry followed her back to the second floor. When he entered the bedroom, he was rather surprised to see both Ron and Ginny waiting for them, sitting on Ron’s bed.
  7. He could not get enough breath into his lungs to call back: Then a heavy smooth mass smashed him to the floor and he felt it slide over him, powerful, muscular—
  8. He finally tracked her down as she emerged from a girl’s bathroom on the floor below. She was accompanied by Luna Lovegood, who was patting her vaguely on the back.
  9. He put the empty bowl back on the floor next to the cat flap and lay back down on the bed, somehow even hungrier than he had been before the soup.
  10. He stopped suddenly and turned around; Hermione walked right into him and was knocked over backwards. Harry caught her just before she hit the Forest floor.
  11. Hermione jumped up and bits of roast pike slid off her tin plate onto the floor.




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