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TRANSLATION OF IDIOMATIC/PHRASEOLOGICAL AND STABLE EXPRESSIONS

Idiomatic or phraseological expressions are structurally, lexi­cally and semantically fixed phrases or sentences having mostly the meaning, which is not made up by the sum of meanings of their component parts¹. An indispensable feature of idiomatic (phraseo­logical) expressions is their figurative, i.e., metaphorical nature and usage. It is this nature that makes them distinguishable from struc­turally identical free combinations of words Cf.: red tape (free word-comb.) червона стрічка - red tape (idiom) канцелярський формалізм (бюрократизм); the tables are/were turned (free word-comb.) столи перекинуті/були перекинуті - the tables are turned (idiom) ситуація докорінно змінилася; супротивники помінялися ролями/місцями; play with fire гратися з вогнем (free word-comb.) гратися з вогнем (біля багаття) - наражатися на небезпеку (idiom).

On rare occasions the lexical meaning of idiomatically bound expressions can coincide with their direct, i.e., not transferred mean­ing, which facilitates their understanding as in the examples like: to make way дати дорогу; to die a dog's death здохнути як собака; to receive a hero's welcome зустрічати як героя; wait a minute/a mo­ment зачекайте хвилинку/ один момент; to tell (you) the truth правду казати/правду кажучи; to dust one's coat/jacket витрусити пальто/ піджака - дати духопеликів.

Some proper names can also be endowed with figurative meaning and possess the necessary expressiveness which are the distinguishing features of idioms²: Croesus, Tommy (Tommy Atkins), Yankee, Mrs. Grundy, Jack Ketch, etc. These, proper names have acquired their constant meaning and can not be confused with usual (common) proper names of people. As a result their transferred mean­ing is conveyed in a descriptive way. So Mrs. Grundy means світ, люди, існуюча мораль; Jack Ketch кат; Croesus Крез, надзвичайно багата людина; Tommy Atkins англійський солдат; Yankee (in Eu­rope) янкі/американець, etc.

Idiomatic/phraseological expressions should not be mixed up with different fixed/set prepositional, adjectival, verbal and adverbial

¹ See: Кунин А.В. Фразеология английского язьїка. - М.: Международ. отношения, 1972. Martin H. Manser A Dictionary of Contemporary Idioms. - Lon­don, Pan Books Ltd, 1983.

² See: CollinsV.N.ABook of English Idioms. -Л.:Учпедгиз, 1950. Англо-український фразеологічний словник Склав К.Т. Баранцев. - Київ: Рад. шк., 1969. phrases the meaning of which is not an actual sum of meanings made up by their constituent parts either: by George, by and by, for all of, for the sake of, cut short, make believe; or compounds like: topsy-turvy, higledy-piggledy; coordinate combinations like: high and dry, cut and run, touch and go; Tom, Dick and Harry, etc. These and a lot of other stable expressions can very often be treated as stand­ardized collocations. Their meaning can be rendered in a descriptive way too, like that of genuine idiomatic expressions: fifty-fifty так собі; ні добре ні погано; О.Квсе гаразд, на належному рівні; cut short обірвати, присікти/припинити щось (поїздку), обірвати (розмову).

Such and the like stable expressions, like most of other stand­ardized collocations, have usually a transparent meaning and are easier to translate than regular idioms (the so-called phraseological fusions). Meanwhile it is next to impossible to guess, for example, the meaning of the English idiom Hobson's choice from the seem­ingly transparent meanings of its componental parts. Only a philo­logical inquiry helps establish the meaning of the name and the real sense of the idiom - «no choice whatsoever», «acceptance of what is offered» жодного вибору.

Similarly treated must also be many other English and Ukrain­ian picturesque idioms, proverbs and sayings, which have national literary images and reflect the traditions, customs, the way of con­duct or the mode of life of a nation. Their meaning, due to absence of similar idioms in the target language, can be rendered descriptively, i.e. through a regular explication. The latter, depending on the se­mantic structure of the source language idiom, may be sometimes achieved in the target language with the help of a single word. Cf.: English: an odd/queer fish дивак; Canterbury tale небувальщина, вигадка; blue bonnet («синій берет») шотландець; ніде курці клюнути crammed; зубами тертяка вибивати to be chilled. Most often, however, the meaning of this kind of idioms is conveyed with the help of free word-combinations: to dine with Duke Humphrey залишитись без обіду (нічого не ївши); to cut off with a shilling позбавити когось спадщини. Similarly in Ukrainian: ноги на плечі to go quickly (or very quickly) on one's feet; зуби з'їсти на чомусь to have great experience in something; кивати/накивати п'ятами to run away quickly/hurriedly.

It goes without saying that none of the phraseologisms above can be translated word-for-word since their constituent images would lose their connotative, i.e., metaphorical meaning in the target lan­guage. So, пообідати з герцоґом Гамфрі or обрізати шилінґом

половина

in their

could be understood by the Ukrainian language spe& „_{u на плеч}/ literal meaning. The same can be said about our idiom ^ ^/_Ould never та й гайда, i.e., *with one's legs on the shoulders whid¹ ^ language be understood, when translated literally, by the Eng'¹ _n mechani-native speakers. Therefore, the componental images ^ _rjpg about a cally transplanted to the target language, may often " complete destruction of the idiomatic expression. , jdioms may The choice of the way of translation of this kind ° у t_{ne e}xist-be predetermined by the source language context of _tj_C/_stable ex-ence/absence of contextual equivalents for the idiorn^ p_elow units pression in the target language. Thus, in the exampl^ ^_{e ne}|p _of _a of this kind can be translated into Ukrainian either witf¹ j_ca| expres-single word or with the help of a standardized phrased⁰ sion: to give a start здригнутися; to give ft підбадьорювати, морально підтримувати когось; tf⁷ sel (facet) жінка (прекрасна стать; жіноцтво; слаб¹^ людства), the Holy Mother Богоматір. ₀|location af-Not infrequently the meaning of a standardized ^c_synonymous ter V.V.Vinigradov like that of a regular idiom may hav^ ^_Oj_{ce O}f ^_ne single word equivalents in the target language. The ^_e standard-equivalent is predetermined then by the meaning of _ntence where ized collocation/phraseologism and by the style of the ⁵^₀зпечувати; it is used: to make sure упевнитись (пеконатися), з& ^раплятися; to make comfort втішатися; to take place відбуватись-the world and his wife усі. ₅ which have Similarly treated are also traditional combinatio¹¹ equivalents in the target language several stylistically neutral fr⁰ дати, йти на (words or word-combinations) as: to run a risk ризи^У _Op ризик, to apply the screw натиснути (на когось); to .^, potato швидко позбутися когось, обірвати стосУ припинити знайомство. _ue idiomatic/ Faithful translating of a large number of picture⁵^_cnj_evec| _on|y phraseological expressions, on the other hand, can b^e > language a by a thorough selection of variants having in the tar0 picturesque-similar to the original lexical meaning, and also th^¹ j _on common

j_m_

the mean-gener-

_a раптово

ness and expressiveness. This similarity can be in the source language and in the target language ^c° ages as well as on the structural form of them. As a f⁰⁵ ing of such idioms is mostly guessed by the student⁵'

ally facilitates their translation.

A few examples will suffice to prove it. English

grass widow

(widower) солом'яна вдова (вдівець); not to see a step beyond one's nose далі свого носа нічого не бачити; measure twice and cut once сім раз одміряй, а раз відріж; not for love or money ні за які гроші/ ні за що в світі; Ukrainian: не знати/тямити ні бе, ні ме, ні кукуріку (not to know chalk from cheese); вночі що сіре, те й вовк all cats are grey in the dark, який батько, такий син, яка хата, такий тин (яблучко від яблуні далеко не відкочується) like fa­ther, like son; not a cat's/dog's chance жодних шансів/можливостей, etc.

It often happens that the target language has more than one semantically similar/analogous phraseological expression for one in the source language. The selection of the most fitting variant for the passage under translation should be based then not only on the se­mantic proximity of the idioms/phraseologisms but also on the simi­larity in their picturesqueness, expressiveness and possibly in their basic linages. The bulk of this kind of phraseological expressions belong to the so-called phraseological unities. (Vinogradov). Here are some Ukrainian variants of the kind of English phraselogisms: either win the saddle or loose the horse або пан, або пропав; або перемогу здобути, або вдома не бути; many hands make work light де згода, там і вигода; гуртом і чорта побореш; гуртом і батька добре бити; громада т великий чоловік; a man can die but once від смерті не втечеш; раз мати народила, раз і вмирати; раз козі смерть; двом смертям не бути, а одної не минути; hastle makes waste/the more haste, the less speed тихше їдеш - далі будеш, поспішиш -людей насмішиш, хто спішить-той людей смішить.

A number of phraseological units, due to their common source of origin, are characterized in English and Ukrainian by partial or complete identity of their syntactic structure, their componental im­ages, picturesqueness and expressiveness (and consequently of their meaning). Such kind of idioms often preserve a similar or even iden­tical word order in the source language and in the target language. Hence, they are understood and translated by our students without difficulties: to,cast pearls before swine кидати перла перед свиньми; to be 00/77 under a lucky star народилася під щасливою зіркою; to cherish/warm a viper in one's bosom пригріти гадюку в пазусі; to be/fall between Scilla and Charybdis бути між Сціллою і Харібдою/ між двох вогнів.

One of the peculiar features of this type of idiomatic expres­sions is their international nature. Only few of them have phraseo­logical synonyms of national flavour, being thus restricted to corre-

185spending speech styles, whereas international idioms predominantly belong to the domain of higher stylistic level: Genuine Internationalisms National/Colloquial Variants

The apple of discord яблуко The bone of contention. The розбрату, яблуко чвар bone of discord Strike the iron while it is hot make hay while the sun shines куй залізо, доки гаряче коси коса поки роса

neither fish nor flesh ні риба ні м'ясо to cross the Styx канути в Лету; піти в непам'ять

ні Богові свічка, ні чортові шпичка; ні пава, ні ґава to turn one's toes up простягти/витягнути ноги

National/colloquial variants of international idiomatic substi­tutes, therefore, always differ considerably by their picturesqueness, expressiveness and their lexical meaning. They are only semanti-cally analogous to genuine equivalents, which may sometimes lack absolute identity in the source language and in the target language (to cross the Styx канути в Лету; to drop from the clouds з неба впасти; neither fish nor flesh ні пава ні ґава).

As can be seen, some international idiomatic expressions slightly differ in English and Ukrainian either in their structural form and lexical idiomatic meaning or in the images making up the idi­oms. Thus, the idiomatic expression to fish in troubled waters has in English the plural of wafers whereas in its Ukrainian equivalent has a singular form, wheras the component to fish is detalized and ex­tended to ловити рибку (рибу) в каламутній воді; the Society of Jesus is орден єзуїтів, (but not the Order of Jesus) and the Babel of tongues is вавілонське стовпотворіння and not *Вавілон мов.

Slight divergences are also observed in several other English and Ukrainian international equivalents: the game is (not) worth the candle (singular) варта гра св/чок (plural). The idiom a sound mind in a sound body, on the other hand, has a reverse position of its component parts: у здоровому тілі здоровий дух.

Therefore, each of the above-given idiomatic expressions has either a different form of a component/image, a different word order or a slightly different lexical meaning of a componental part. And yet despite the pointed out divergences such and the like idiomatic ex­pressions/phraseological units do not cease to be absolute equiva­lents in either of the two languages.

Apart from the kinds of idiomatic expressions singled out on the foregoing pages, there exists in each language a specific na­tional layer of idiomatic/phraseological expressions comprising also proverbs and sayings, which are formed on the basis of componenta! images pertaining solely to a concrete national language. Such idi­oms are first of all distinguished by their picturesqueness, their ex­pressiveness and lexical meaning of their own. Due to their national particularity, these idioms/phraseologisms can not and do not have traditionally established literary variants in the target language. As a result, their structural form and wording in different translations may often lack absolute identity. In their rough/interlinear or word-for-word variants they mostly lose their aphoristic/idiomatic nature and thus are often subject to literary perfection: the moon is not seen when the sun shines місяця не видно, коли світить сонце/ місяця не помічають, коли світить сонце; it is a great victory that comes with­out blood велика та перемога, яку здобувають без пролиття крові or найбільша та перемога, яка здобувається без пролиття крові.

Similarly translated are some Ukrainian national phraseologisms into English: один дурень зіпсує, що й десять розумних не направять what is spoiled by one fool can not be mended by ten wisemen; малі дти - малий клопіт, великі діти -великий клопіт small children - smaller troubles, grown-up chil­dren - grave troubles.

Isomorphic is also the existence in both the languages of a number of idiomatic expressions which are of regular sentence-type structure containing some common componental parts. Hence, their lexical meaning, nothing to say about their componental images, their picturesqueness^nd their expressiveness are identical as well. This is predetermined by their common source of origin in English and in Ukrainian: if you run after two hares, you will catch neither якщо побіжиш за двома зайцями, не впіймаєш жодного; a drowning man will catch (snatch) at a straw потопаючий хапається за соломинку (і за соломинку вхопиться, хто топиться); Bacchus has drowned more men than Neptune Вакх утопив більше людей, ніж Нептун (вино загубило більше людей, ніж море) he who spares the rod spoils the child хто жаліє різку, той збавляє дитину.

As can be noticed from these examples, some English and Ukrainian idiomatic expressions are far from uniform lexically, struc­turally, and by their componental images, picturesqueness and ex­pressiveness. They do not always spring from the same source of origin either. Because of this a faithful translation of phraseological/

187idiomatic expressions depends upon some factors the main of which

are as follows:

1) whether the idiomatic expression in the source language and in the target language is of the same/different source of origin;

2) whether the idiomatic expression has in the target language only one, more than one or all componental images in common;

3) whether the componental images, when translated, are per­ceived by the target language speakers;

4) whether the structural form of the idiomatic expressions can be retained in the target language without any transformations;

5) whether there exists an analogous/similar in sense idiomatic expression in the target language, etc.

All these and some other factors should not be neglected when translating idiomatic/phraseological expressions from and into Eng­lish. In fact, here exists a regular interdependence between the lexi­cal meaning, the origin, the picturesqueness and the expressive­ness of idioms on the one hand and the method of their translating

on the other.

Taking into account these and some other factors, the follow­ing ways of faithful rendering the idiomatic/phraselogical expressions are to be identified:

1. By Choosing Absolute/Complete EquivalentsThis is the method of translating by which every componental part of the source language idiom is retained in the target language unchanged. The componental parts include all notionals and also the lexically charged functionals which contribute to the lexical mean­ing of the idiomatic/phraseological expression. The notional compo­nents also create the main images (the picturesqueness), the ex­pressiveness and the figurative (connotative) meanings of idiomatic expressions. Translating with the help of equivalents is resorted to when deating with idioms which originate from the same source in both the languages in question. These sources may be:

1) Greek or other mythology: Augean stables авгієві стайні (занедбане, занехаяне місце); Cassandra warning застереження Кассандри (застереження, на які не звертають уваги, але які збуваються); Hercules' Pillars (the Pillars of Hercules) геркулесові стовпи (Ґібралтарська протока); a labour of Sisyphus сізіфова праця (важка і марна праця); Pandora's box скринька Пандори/ Пандорина скриня (джерело всіляких лих); the Trojan horse троянський кінь (прихована небезпека); Aladdin's'lamp Аладдінова лампа; between Scilla and Charybdis між Сціллою і Харібдою;

2) ancient history or literature: an ass in a lion's skin (назва однієї з байок Езопа) осел у левовій шкурі; to cross (pass) the Rubicon перейти Рубікон (прийняти важливе рішення); the die is thrown/cast жеребок кинуто (рішення прийнято); the golden age золотий вік (золоті часи); / came, I saw, I conquered прийшов, побачив, переміг;

3) the Bible or works based on a biblical plot: to cast the first stone at one першим кинути у когось каменем; to cast pearls be­fore swine розсипати перла перед свиньми; the golden calf золотий телець/ідол; a lost sheep заблудла вівця; the massacre (slaugh­ter) of innocents винищення немовлят; the ten commandments десять заповідей; the thirty pieces of silver тридцять срібняків; prodigal son блудний син.

A great many absolute equivalents originate from contempo­rary literary or historical sources relating to different languages (mainly to French, Spanish, Danish, German, Italian, Arabic). English:Time is money час - гроші; self made man людина, що сама проклала собі шлях у житті; my house is my castle мій дім - моя фортеця. French:after us the deluge після нас хоч потоп; the fair sex прекрасна стать; the game is worth the candle гра варта свічок; more royalist than the king більший монархіст ніж сам король; to pull the chestnuts out of the fire вигрібати каштани з вогню; one's place in the sun місце під сонцем; Spanish:blue blood блакитна кров; the fifth column (introduced by E. Hemingway) п'ята колона; to tilt at the windmills (introduced by Cervantes) воювати з вітряками; Italian:Dante's inferno Дантове пекло; finita la commedia ділу кінець; Arabic:Aladdin's lamp лампа Аладдіна; German:da 1st derHund begraben ось де собака зарита; Sturm und Drang буря і натиск.

Some mots belonging to prominent English and American au­thors have also turned into regular idiomatic expressions. Due to their constant use in belles-lettres they have become known in many languages. Especially considerable is the amount of Shakespear-ean mots: better a witty fool than a foolish wit краще дотепний дурень, ніж дурний дотеп; cowards die many times before their deaths боягузи вмирають багато разів; something is rotten in the state of Denmark, etc. не все гаразд у Данському королівстві; vanity fair (J. Bunyan) ярмарок марнославства/суєти; to reign in hell is better than to serve in heaven (J. Milton) краще панувати в пеклі, ніж слугувати в раю; the banana republic (O. Henry) бананова республіка; the last of the Mohicans останній з могікан; to bury a hatchet (F. Cooper) закопати томагавк (укласти мир); the almighty dollar (W. Irving) всемогутній долар; never put off till tomorrow what you can do today ніколи не відкладай на завтра те, що можна зробити сьогодні; the execution of the laws is more important than the making of them (T. Jefferson) закони виконувати важче, ніж їх створювати/писати; the iron nee/(J. London) залізна п'ята (ярмо); gone with the wind (M. Wilson) пішло за вітром/знесено вітром; the cold war (W. Lippamn) холодна війна; Iron Curtain (W. Church­ill) залізна завіса, etc.

Translating with the help of monoequivalents, as the absolute equivalents are sometimes called, is very often made use of when dealing with the sentence idioms containing the subject, the predi­cate, and some other parts of the sentence, though some minor al­terations in their structure/word order may not be excluded altogether. Such alterations, however, do not change either the denotative mean­ing or the componental images, the picturesqueness, expressive­ness or connotative meaning of idioms: appetite comes while eating апетит приходить під час їжі; kings go mad and the people suffer from it королі божеволіють, а народ страждає (cf. пани скубуться, а в мужиків чуби тріщать); the last drop makes the cup run over остання краплина переповнює чашу; let the cock crow or not, the day will come співатиме півень, чи ні, а день настане; money is the sinews of war гроші - «м'язи» війни; of two evils choose the least із двох лих вибирай менше; out of the mouths of babies speaks the truth (wisdom) устами немовлят говорить істина/мудрість; the pen is mightier than the sword перо могутніше за меч; Caesar's wife must be beyond suspicion (Caesar) Цезарова дружина не повинна бути під підозрою/повинна бути поза підозрою; the inva­sion of armies is resisted, the invasion of ideas is not (Hugo) вторгненню армій можна чинити опір, вторгненню ідей – ніколи etc.

As has been said, the target language variants of phraseo­logical monoequivalents may sometimes slightly differ in their struc­ture or in the order of words from the source language idioms (cf. let the cock crow or not співатиме півень чи ні). These minor changes in the structural form, however, do not influence in any way the mean­ing and the expressiveness or picturesqueness of absolute equiva­lents in the target language.

Not only regular idioms but also many so-called standardized word-combinations, which may often originate in the two languages from a common source, can be translated by absolute equivalents.

Due to this, they retain in the target language the semantic identity and the componental structure of the source language units: fo give help подавати/надавати допомогу; fo win/gain a victory здобути/ здобувати перемогу; to make an attempt зробити спробу; to throw light проливати світло, etc.

Standardized word-combinations, as will be shown below, can also be translated in some other ways, which is an obvious testi­mony to the unchangeable inconsistency of the way identified as «translation by means of loans» («кальки», «калькування»).

2.Translation of Idioms by Choosing Near Equivalents

The meaning of a considerable number of phrase idioms and sentence idioms originating in both languages from a common source may sometimes have, unlike absolute equivalents, one or even most of their components different, than in the target language. Hence, the quality of their images is not identical either, though not neces­sarily their picturesqueness and expressiveness (if any): baker's/print­er's dozen чортова дюжина; the devil is not so black as he is painted не такий дідько/чорт страшний, як його малюють; a lot of water had flown/run under the bridge багато води спливло відтоді; love is the mother of love любов породжує любов; too much knowledge makes the head bald від великих знань голова лисіє; in broad day­light серед білого дня; as snort as a dog's tale короткий, як осінній день; as pale as paper блідий мов стіна, measure twice cut once сім раз одміряй, один раз одріж.

The slight divergences in the near equivalents as compared with the source language idioms can manifest themselves also in some other aspects, as for example:

a) in the structure of the target language variant (cf. to make a long story short сказати коротко);

b) in the omission (or adding) of a componental part in the target language (cf. a lot of water had run under the bridge since then багато води спливло відтоді);

c) in the substitution of a feature (or image) of the source lan­guage phraseological/idiomatic expression for some other (more fit­ting or traditionally expected) in the target language: as pale as pa­per блідий мов стіна; baker's/printer's dozen чортова дюжина; eve­rything is good in its season все добре в свій час (cf. добра ложка до обіду);

d) in the generalization of the features of the source language idiomatic expression: one's own flesh and bone рідна кровинка;

e) in the concretization of some features of the original: a voice in the wilderness глас волаючого в пустелі; you can nof eaten an old bird with chaff старого горобця на полові не впіймаєш; to fol­low like St. Anthony's рід ходити (за кимось) як тінь/переслідувати когось.

Similar componental substitutions, both semantic and struc­tural, can be observed in regular standardized collocations and in comparative proverbs or saying as: to do harm завдати шкоди; to do one's duty виконувати свій обов'язок; to throw/shed light проливати світло; (asj busy as a bee працьовитий, мов бджола; (as) slippery as an eel слизький як в'юн; as cool as a cucumber холодний як крига (лід); golden opportunity чудова можливість, to shed crocodile's tears плакати крокодилячими слізьми.

Therefore, faithful translation may be achieved by different methods. Moreover, it must be evident now that «translating by means of loans» may refer to any method of rendering phraseologisms/idi-oms which are or may become regular loans in the target language.

Consequently, translation of idiomatic expressions «by means of loans» does not always fully justify the essence of the term as such.

Читайте також:

1. Antonymic translation
2. B) Partial Translation Equivalents
3. Basic translation theories
4. By Descriptive or Interpreting Translation
5. Faithful and equivalent translation.
6. Free Translation
7. Literal translation
8. Map of disciplines interfacing with Translation Studies
9. Objectively and subjectively conditioned transformations of lexical units in the process of translation.
10. Original Metaphors and Their Translation
11. Referential Meaning and its Rendering in Translation
12. Rendering of stylistic meaning in translation

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