Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)
Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)
G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)
Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)
Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.
R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)
КРИЗИС ИСКУССТВА
James Ackerman. Palladio (Harmondsworth: Penguin, 1966)
John Sherman. Mannerism (Harmondsworth: Penguin, 1967)
John Pope-Hennessy. Cellini (London: Macmillan, 1985)
Sydney J. Freedberg. Parmigianino: His Works in Painting (2 vols., Cambridge, Mass.: Harvard U.P., 1950)
A.T. Popham. Catalogue of the Drawings of Parmigianino (3 vols., New Haven-London: Yale U.P., 1971)
Charles Avery. Giambologna (Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993)
Hans Tietze. Tintoretto: The Paintings and Drawings (London: Phaidon, 1948)
Harold E. Wethey. El Greco and his School (2 vols., Princeton U.P., 1962)
John Rowlands. Holbein: The Paintings of Hans Holbein the Younger (Oxford: Phaidon, 1985)
Roy Strong. The English Renaissance Miniature (London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.
Fritz Grossmann. Peeter Brueghel. Die Gemalde (Koln: Phaidon, 1955)
Ludwig Munz. Brueghel: The Drawings. Transl. from the German manuscript (London: Phaidon, 1961)